Review: Fangirls (2022) at Sydney Opera House

I truly believe Fangirls has the potential to play on a Broadway stage one day, and hope it continues to grow and improve with each iteration. Fangirls is a joyful, hilarious show that demonstrates an incisive understanding of contemporary fandom culture in the internet age, and I can’t wait to see it staged again.

Review: The Lifespan of a Fact at STC

The script is not subtle in its moralising about facts versus art, but it is effective. STC’s marketing evoked Aaron Sorkin, which is an apt comparison. Jim is agonisingly pedantic about the facts, and John is a pretentious egotist. Neither of them are fully likeable, and neither are 100% right or wrong— the writers let you decide where you fall. Jim and John’s battle is the clash of pragmatism and high-mindedness, a battle against what is correct, and what is dramatically compelling.