Review: CAMP at the Seymour Centre

As a young person in my twenties, many of my peers see Mardi Gras as another excuse to party. It was powerful to be reminded of Mardi Gras’ origin as a protest, particularly considering I saw the matinee show on the day of Mardi Gras. As a piece of theatre, CAMP isn’t particularly groundbreaking, but it is an important story that everyone should watch to learn about this crucial piece of Australia’s history.

Anatomy of a Suicide: One of the Best Plays of the Year

Birch’s script is complex, ambitious, and tightly constructed. For almost all of the play, these three women and their stories of motherhood exist on stage simultaneously, defying realism in favour of compelling and abstract storytelling. Birch boldly raises big questions about fate, mental illness and intergenerational trauma.

Amelia Pitcher Wants More Sex Workers to Write Their Own Stories

“I think that’s the beauty of theatre— instead of attacking people and saying “You need to support sex work” you can invite them to observe the reality of the world, instead of the media stereotype. And so, you start to break down that stigma that we have a society about the sex industry.

Theatre is a safe way to experience things without actually experiencing them.”

Review: Albion at the Seymour Centre

Albion is an ambitious production of a formidable text that explores big ideas about humanity, class, family and social change. It’s a thought-provoking work of writing that has stayed with me all week. To successfully stage Bartlett’s intimidating and ideas-heavy text is a tall order, especially for an indie production, and Clements and the team have a real crack at it. An admirable attempt at a difficult text, Bartlett’s writing, combined with Briant’s lead performance and Langford’s thoughtful design makes this an impressive and thought-provoking night out at the theatre.