The Almighty Sometimes: Brave and Heart-Wrenching Tale of Motherly Love

Narratives about fathers and sons have dominated the canon of great plays for centuries. Sophocles, Shakespeare, Miller: these men, and their oft told tales of struggling patriarchs, are still staged internationally today. Male playwrights, directors and actors have for so long taken up all the space in the cultural conversation. Plays are designed to show…

Belvoir’s Prize Fighter Explosive and Compelling: Theatre Review

Belvoir’s first main stage production, Prize Fighter, is a violent, explosive and utterly watchable work of theatre. The show starts with a bang, as two sweaty actors in a boxing ring begin pummelling each other with their fists in the ring. The fight director, Nigel Poulton, has pulled out all stops to make such fights…

The Screwtape Letters review- AussieTheatre.com

This article was originally posted on AussieTheatre.com at http://aussietheatre.com.au/reviews/screwtape-letters-canberra-theatre-centre  There are many ways that Hell could be represented on stage. Walking into The Courtyard Studio of the Canberra Theatre Centre to find an office straight out of a Sherlock Holmes novel was, needless to say, not what I expected. This austere academic venue is wallpapered by…

Review: This, This is Mine – Corinthian Food Store Collective

This review was originally posted on AussieTheatre.com at http://aussietheatre.com.au/reviews/mine-corinthian-food-store-collective  Sitting in a cosy living room mingling with the artistic directors of a show isn’t your typical theatre experience, but it’s an essential part of the Corinthian Food Store Collective’s This, This Is Mine. Founded in 2012 by two NIDA alumni and expanding to a core group…

Hamlet Reviewed (Sport for Jove & Seymour Centre)

Damien Ryan’s production of ‘Hamlet’ is a decent if forgettable take on Shakespeare’s famous tragedy. The pacing was tight and the selection of scenes interesting and unique, however the show was let down by some unimpressive performers. The actor playing Hamlet disappointed, lacking any real emotional depth. He began the play with an “antic disposition”…